Book Review 2026.01: Art Experience by Prof. M Hiriyanna, (1954), Hardbound 83 pages, January 19, 2026

Book Review 2026.01: Art Experience, (1954), Hardbound 83 pages, January 19, 2026

It is not often that you can say a book is worth its weight in gold. I am sure most readers of this book will concur with me that an exception can be made for this short book of 83 pages that delves deep into the rarely explored topic of aesthetic experience through the lens of Indian philosophy. While the lens used is of Indian philosophy, the value of this book remains undiminished even if we remove all reference to it for the core concepts it talks of is universal in its appeal and application.     

In line with the subject, philosophical inquiry into aesthetic experience, the content of this book is quite abstract and requires the reader to often stop and reflect on sentences that are filled with significant insights. Though the book is a collection of writings of the author over a period of time, chapters 1 to 7 and 15 are interlinked and deal with concepts in detail. In contrast, chapters 8 to 14 are either prefaces written by the author for thesis or books of others or book reviews and to that extent only provide a sketchy view of the concepts covered.           

The book deals with multiple concepts and ideas that is essential in appreciating art in any form-poetry, drama, music, painting, sculpture and the likes. A few of the insights and concepts that I learnt is listed here to give readers a glimpse of its riches: 1. Art as a momentary, externally induced prelude to the lasting, internally triggered spiritual experience; 2. Art as a process that culminates in contemplation of beauty which is its result, 3. Art leads to an impersonal state of mind devoid of desires that enables contemplation which yields joy, 4. Emotions are feelings and hence cannot be expressed in words, but can only be suggested using context, accessories and consequences, 5 Three different attitudes to life: natural-where we experience both pleasure and pain, spiritual-where we transcend pleasure and pain, and aesthetic- where we momentarily experience only pleasure devoid of pain due to self-interest being momentarily suppressed, and 6. Art is superfluous to the saintly realised human or to one living in a perfect environment.    

This book is a must read for all individuals interested in art and aesthetic experience irrespective of age. I believe this book is equally valuable to the artist and their audience or readers, the true co-artists who complete the aesthetic experience. Seen through this wholly agreeable lens, art is a stepping stone to leading a complete and fulfilling life.

Happy reading as we strive for a more aesthetic life.  

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